One of a portfolio of 12 photographs from Changing Vision Two Eyes. These photos and supportive text document the time between cataract surgeries when I saw the world with two different eyes: one on the left with the cataract and one on the right without. It describes the distinction among colors, shapes, and clarity of forms I perceived. It was a profound experience and made me contemplate more deeply known theories that color is relative and seeing is a combination of sensation and perception.
Looking Out / Looking In
2021 Member's Exhibition
Pepe
Diane Pepe
www.diannepepe.com
Diane is a Philadelphia-based artist.Her current work is related to research into the scientific processes of human memory and perception. Diane is a full time Associate Professor of Art at the University of the Arts. She has exhibited her work in both national and regional venues and museums.
Grey Door Individual photo from Changing Vision Two Eyes Portfolio
White Flower - Individual photo from Changing Vision Two Eyes Portfolio
One of a portfolio of 12 photographs from Changing Vision Two Eyes. These photos and supportive text document the time between cataract surgeries when I saw the world with two different eyes: one on left with the cataract and one on the right without. It describes the distinction among colors, shapes, and clarity of forms I perceived. It was a profound experience and made me contemplate more deeply known theories that color is relative and seeing is a combination of sensation and perception.
Changing Vision Two Eyes Portfolio of a Visual Journey
CHANGING VISION. TWO EYES
Seeing and Perceiving
Portfolio of a Visual Journey
As a result of intense computer use during early Covid years, I developed the need for corrective cataract surgery. 12 photographs and supportive text document the time between surgeries when I saw the world with two different eyes: one with the cataract and one without. They describe the distinction among colors, shapes, and clarity of forms I perceived. It was a profound experience and made me contemplate more deeply known theories that color is relative and seeing is a combination of sensation and perception. With surgery in both eyes now complete, I experience the world in a new normal.
Memory as Construction Diptych
When we look out, we are inundated by visual stimuli and multiple sensations meet our eyes. What we actually take in, perceive, remember, and eventually recall, is determined by numerous areas of the brain. This fascinating process along with learning about the various related scientific theories, has been the main conceptual basis for my artistic exploration for several years. The concept of Looking Out/Looking In can refer to our memory processes: Looking In can refer to our engagement in the rich store of memories that we have accumulated throughout our lives. Looking out can refer to our continued excitement about life, enjoying new experiences, and building new memories while reconstructing existing ones.
A high resolution scan of one of my original pencil drawings represents a significant event in our lives. This image is printed on archival paper. Various sections of the same image are printed on acrylic plates. These individual images are slightly suspended above the original print secured by silver pins. Each translucent printed image is slightly different then the next, which signifies the theory that when we recall a memory, it changes ever so slightly each time. The layered nature of the work signifies the constructive nature of memory recall.